“Travelling Companions” by Augustus Leopold Egg (Birmingham Museum & Art Gallery)
1:1
Autumn 2008
“Travelling Companions” by Augustus Leopold
Egg (Birmingham Museum & Art Gallery)
1:1
Autumn 2008
| Contents | ||
| Introduction: Speculations in and on the Neo-Victorian Encounter Marie-Luise Kohlke |
1-18 | |
| (Neo-)Victorian Fatigue: Getting Tired of the Victorians in Conrad’s The Secret Agent Cheryl A Wilson |
19-40 | |
| “Ladies in Peril”: Sarah Waters on neo-Victorian narrative celebrations and why she stopped writing about the Victorian era Abigail Dennis |
41-52 | |
| (Re-)Workings of Nineteenth-Century Century Fiction: Definitions, Terminology, Contexts Andrea Kirchknopf |
53-80 | |
| Ghostly Histories and Embodied Memories: Photography, Spectrality and Historical Fiction in Afterimage and Sixty Lights Kate Mitchell |
81-109 | |
| “The Dead Man Touch’d Me From the Past”: Reading as Mourning, Mourning as Reading in A. S. Byatt’s ‘The Conjugial Angel’ Andrew Williamson |
110-137 | |
| Reclaiming the Machine: An Introductory Look at Steampunk in Everyday Practice Rebecca Onion |
138-163 | |
| What Is Neo-Victorian Studies? Mark Llewellyn |
164-185 | |
| Reviews | ||
| Virginia Woolf and the Victorians by Simon Ellis reviewed by Marie-Luise Kohlke |
186-190 | |
| The Victorians in the Rearview Mirror by Simon Joyce reviewed by Mark Llewellyn |
191-195 | |
| The Journal of Dora Damage by Belinda Starling reviewed by Marie-Luise Kohlke |
196-202 | |
| Announcements Page | 203-215 | |
| Notes on Contributors | 216-217 |
Neo-Victorian Studies is hosted by Swansea University, Wales, UK