CURRENT ISSUE
8:2
2016
General Issue
| Contents | Pages | |
| Articles | ||
|
Refashioning the Past: Technology, Nostalgia, and (Neo-)Victorian
Knitting Practices Sherrin Berezowsky |
1-27 | |
|
Steampunk as a Postindustrial Aesthetic: “All that is solid melts in
air” |
28-56 | |
|
“The Dark Descent”: Amnesia’s Debt to Victorian Physiological Psychology |
57-83 | |
|
"The future isn’t what you thought”: Evolution, Degradation, and
Scientific Romance
in Nicholas Meyer’s Time After Time (1979) |
84-105 | |
|
The Aesthetics of Filth in Sweet Thames, The Great Stink and
The
Crimson Petal and The White |
106-135 | |
|
Of Mice and Men: Eve Titus’s Basil of Baker Street and Disney’s The Great
Mouse Detective as Holmesian Adaptations |
136-170 | |
|
The Biofiction of a Novel: Sheila Kohler’s Becoming Jane Eyre |
171-199 | |
|
Definitely an Author to Watch’: Rosie Garland on the (Neo-)Victorian Freak |
200-223 | |
|
Reviews/Review Essays |
||
|
Projecting Neo-Victorianism: Review of Nadine Boehm-Schnitker and Susanne
Gruss (eds.), Neo-Victorian Literature and Culture: Immersions and Revisitations |
224-242 | |
|
Bloody Boots in St Ann’s Square: Review of Rona Munro’s Scuttlers Benjamin Poore |
243-249 | |
|
Resoundingly Neo-Victorian Biofiction in Paint: Review of Anthony Rhys’s
Notorious Marie-Luise Kohlke |
250-271 | |
| Announcements Page |
272-320 |
|
| Notes on Contributors |
321-324 |
Neo-Victorian Studies is hosted by Swansea University, Wales, UK