“Travelling Companions” by Augustus Leopold
Egg (Birmingham Museum & Art Gallery)./
6:2 (2013)
Contents |
Special Issue
Neo-Victorianism and Feminism: New
Approaches
Guest edited by: Tara MacDonald
and Joyce Goggin
CONTENTS | Pages | |
Articles | ||
Introduction: Neo-Victorianism and Feminism |
1-14 | |
‘Victoriana’s Secret’: Emilie Autumn’s Burlesque Performance of
Subcultural Neo-Victorianism Eckart Voigts |
15-39 | |
Victorian Maids and Neo-Victorian Labour in Kaoru Mori’s Emma: A
Victorian Romance Elizabeth Ho |
40-63 | |
“Smash the Social Machine”: Neo-Victorianism and Postfeminism in Emma
Donoghue’s The Sealed Letter Claire O’Callaghan |
64-88 | |
The Naked Truth: The Postfeminist Afterlives of Irene Adler Antonija Primorac |
89-113 | |
Those Very ‘Other’ Victorians: Interrogating Neo-Victorian Feminism in
The Journal of Dora Damage Caterina Novák |
114-136 | |
The ‘My Story’ Series: A Neo-Victorian Education in Feminism Margaret D. Stetz |
137-151 | |
Archetypes and Icons: Materialising Victorian Womanhood in 1970s
Feminist Art Kimberly Rhodes |
152-180 | |
Reviews/Review Essays |
||
Horrible Histories: Review of Marie-Luise Kohlke and Christian
Gutleben’s Neo-Victorian Gothic: Horror, Violence and Degeneration in
the Re-Imagined Nineteenth Century Catherine Spooner |
181-190 | |
Weird and Wonderful, or the Victorians? Us: Review of Victoriana: The
Art of Revival Marie-Luise Kohlke |
191-206 | |
Feminist Awakenings: Review of Essie Fox’s Elijah’s Mermaid and Stevie Davies’ Awakening Marie-Luise Kohlke |
207-222 | |
Announcements Page |
223-247 |
|
Notes on Contributors | 248-250 |
Neo-Victorian Studies is hosted by Swansea University, Wales, UK