Sex, Terror, and Bram Stoker’s Dracula: Coppola’s Reinvention of Film History

Sigrid Anderson Cordell

“No one remembers you at all”: Mick Imlah and Alan Hollinghurst Ventriloquising Tennyson

John Morton

Neo-Victorian Biofiction and Trauma Poetics in Colm Tóibín’s The Master

José M. Yebra

Germ Theory Temporalities and Generic Innovation in Neo-Victorian Fiction

Joanna Shawn Brigid O’Leary

“You will see the logic of the design of this”: From Historiography to Taxonomography

in the Contemporary Metafiction of Sarah Waters’s Affinity

Martin Paul Eve

Dining with the Darwins: Senses and the Trace in (Neo-)Victorian Home Cooking

Lea Heiberg Madsen

“Such a Dazzling Display of Lustrous Legerdemain”: Representing Victorian Theatricality in Doctor Who

Is This Neo-Victorian? Planning an Exhibition on Nineteenth-Century Revivalism

Sonia Solicari

Transcendent Lovers, Heroic Heathcliffs: Review of Hila Shachar, Cultural Afterlives

and Screen Adaptations of Classic Literature: Wuthering Heights and Company

Rosa Karl

Revisiting the Nineteenth-Century Novel: Review of Barbara Hardy, Dorothea’s Daughter

and Other Nineteenth-Century Postscripts

Amy L. Montz

The Self-Not-Self: Review of John Harwood, The Asylum

Marie-Luise Kohlke

The Island of Lost Souls: Review of Jeremy Page, The Collector of Lost Things

Marie-Luise Kohlke