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Sex, Terror, and Bram Stoker’s Dracula: Coppola’s Reinvention of Film History

Sigrid Anderson Cordell

1-21 PDF

“No one remembers you at all”: Mick Imlah and Alan Hollinghurst Ventriloquising Tennyson

John Morton

22-40 PDF

Neo-Victorian Biofiction and Trauma Poetics in Colm Tóibín’s The Master

José M. Yebra

41-74 PDF

Germ Theory Temporalities and Generic Innovation in Neo-Victorian Fiction

Joanna Shawn Brigid O’Leary

75-104 PDF

“You will see the logic of the design of this”: From Historiography to Taxonomography

in the Contemporary Metafiction of Sarah Waters’s Affinity

Martin Paul Eve

105-125 PDF

Dining with the Darwins: Senses and the Trace in (Neo-)Victorian Home Cooking

Lea Heiberg Madsen

126-147 PDF

“Such a Dazzling Display of Lustrous Legerdemain”: Representing Victorian Theatricality in Doctor Who

Catriona Mills
148-179 PDF


Is This Neo-Victorian? Planning an Exhibition on Nineteenth-Century Revivalism

Sonia Solicari

180-188 PDF
Reviews/Review Essays


Journeys in Ventriloquial Wonderland: Review of Helen Davies, Gender and Ventriloquism

in Victorian and Neo-Victorian Fiction: Passionate Puppets

Marie-Luise Kohlke

189-198 PDF

Transcendent Lovers, Heroic Heathcliffs: Review of Hila Shachar, Cultural Afterlives

and Screen Adaptations of Classic Literature: Wuthering Heights and Company

Rosa Karl

199-204 PDF

Revisiting the Nineteenth-Century Novel: Review of Barbara Hardy, Dorothea’s Daughter

and Other Nineteenth-Century Postscripts

Amy L. Montz

205-207 PDF

The Self-Not-Self: Review of John Harwood, The Asylum

Marie-Luise Kohlke

208-212 PDF

The Island of Lost Souls: Review of Jeremy Page, The Collector of Lost Things

Marie-Luise Kohlke

213-218 PDF
Announcements Page


Notes on Contributors 254-257 PDF


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