11:1
2018
Special Issue: Screening the Victorians in the Twenty-First Century
Guest edited by Chris Louttit and Erin Louttit
(published 14 December 2018)
Contents | Pages | ||
Articles | |||
Introduction: Screening the Victorians in the
Twenty-First Century
Chris Louttit and Erin Louttit |
1-14 | ||
Reengineering Modernity: Cinematic Detritus and the
Steampunk Blockbuster Robbie
McAllister |
15-37 | ||
Representations of Masculinity in Neo-Victorian Film
and Television Jamil Mustafa |
38-64 |
||
For British Eyes Only:
Arrested Development and
Neo-Victorian Television Comedy
Clayton Carlyle Tarr |
65-84 | ||
Miss Ives and ISIS: The Cult(ure) of
Collaboration in Neo-Victorian Adaptations Cameron
Dodworth |
85-110 | ||
“I love her and, as to different, well, she’s a lizard”:
Queer and Interspecies Relationships in
Doctor Who
Marina Gerzic and Duc Dau |
111-140 | ||
What Use Our Work: Crime and Justice in
Ripper Street
Helena Esser |
141-173 | ||
Doctor Who and the
Neo-Victorian Serial Christmas Tradition
|
174-206 | ||
Reviews/Review Essays |
|||
The Gilded Age of Gore: Review of
The Alienist (2018) Shannon Scott |
207-222 | ||
Vile Bodies: Review of
Kathryn
Hughes, Victorians Undone:
Tales of the Flesh in the Age
of Decorum Robert Finnigan |
223-228 | ||
Neo-Victorian Negotiations of Agency and
Disability: Review of Helen Davies,
Neo-Victorian Freakery:
The Cultural Afterlife of
the Victorian Freak Show
Nadine Boehm-Schnitker |
229-237 | ||
Announcements Page |
238-256 |
||
Notes on Contributors |
257-260 |
Neo-Victorian Studies is hosted by Swansea University, Wales, UK